Post-modernism
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Who is Daniel Quinn? That may be the central mystery in Paul Auster’s first installment of his New York Trilogy, City of Glass. Identity and language are of the utmost importance to the novel from the very beginning, often taking precedence over the stated mystery. Chapter one opens in Quinn’s apartment in “the dead of
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“Context is everything. Dress me up and see. I’m a carnival barker, an auctioneer, a downtown performance artist, a speaker in tongues, a senator drunk on filibuster. I’ve got Tourette’s. My mouth won’t quit, though mostly I whisper or subvocalize like I’m reading aloud, my Adam’s apple bobbing, jaw muscle beating like a miniature heart…



